Photography 1 Syllabus

MCC ART 141 Section 03 CRN#11370
Rooms HH-109 and HH-110
Teacher: Paul Light

781 280 3871
paul@lightwavephoto.com
http://www.lightwavephoto.com
Wednesdays 1:30-4:15PM

Required reading

There is no required book for this class. Please use my Delicious bookmarks for subject searching of established photographers.

MCC Catalog Listing

Examines photography as a fine art form and as a tool for communication and personal expression. Emphasis on exposure, development, printing and aesthetics of photographic vision. Students must provide their own camera (35mm or 120 format).

Instructional Goals/Objectives

1 Basic usage of 35mm camera

Students will demonstrate their ability to use the control mechanisms on their 35mm cameras to produce photographs that have a sense of vision.

2 Black and White Film Development

Students will demonstrate their ability to develop film while carefully controlling agitation, time and temperature.

3 Black and White Printing

Students will be able to evaluate and explain the advantages and disadvantages of various black and white printing techniques including contrast control, burning and dodging.

4 Using Photography to Create Fine Art

Students will assess the merits of their finished prints as art and explain their reasoning.

Class Description

This class is an introduction to basic photographic principles of using a camera and making black and white prints. All students will be expected to know these principles as well as how to use them in such a way as to produce inventive and original photographs.

Each class will consist of 3 parts

Part 1 Looking at Photographs 1:30-2:00

Part 2 Taking Pictures 2:00-2:30

Part 3 Making Prints 2:45-4:15

During the first class we will not be spending time making prints. During the second class we will only develop film. We will not make prints. This will be the only topic of discussion that day.

Beginning the third class, from 1:30pm to 2:00pm we will talk about prints. Prints will be graded outside of class time and returned to students at the beginning of the next class. We will talk about your prints, my prints and photographs from the required websites. We will be using the websites as a visual dictionary. We will be using it as a standard to how people use photographs to communicate with the world at large.

From 2:00pm to 2:30am we will talk about taking pictures. We will begin by discussing any questions that you have about your camera relative to the camera topic we are discussing for that class. Occasionally I will take a picture with one of my cameras to demonstrate a concept.

This will be followed by a 15 minute break from 2:30pm to 2:45pm where you are free to take a break. During this time I will be setting up the darkroom.

The last part of class, 3:00pm to 4:15pm will be reserved for printing. It will take about 15 minutes to set up the darkroom and the last 15 minutes will be reserved for cleanup. All printing must stop at 4:00pm


Grading and Attendance Policies

All students will be required to produce black and white prints of subjects and techniques of their own choosing. Students who would prefer assignments from me rather than choose a subject on their own should feel free to ask me. Students given an assignment by me are not obligated to fulfill it. It is a suggestion only.

One photograph is due each class beginning with the fifth class. Prints must be at least 8"x10". No grades are final without proof of negatives and contact sheets. No color photographs or digital prints will be accepted.

The school has a darkroom which you will have access to that is set up for black and white darkroom work only. Work will be graded primarily on one's ability to make an inventive and original photograph rather than on technical things like how dark or light the photograph is or how much textural detail is evident. Photographs passed in late lose 3 points per day. In some special circumstances students will be given an extra class to produce a photograph.

Students will be graded only on photographs produced during the semester. Please do not bring in photographs shot before the class started. Each of the grades will be of equal weight. They will be averaged together to produce a final grade. This average is tabulated after each class and that grade is available on request.

There is no midterm or final exam. You will be given two sick days. After this each absence will cost you 10 points from your final grade. In other words, suppose your final grade was 81, but you missed six classes. The first two absences would not affect your grade, but the other four would reduce your grade to a 41. Each time a student arrives more than 15 min. late or leaves early without my permission 5 points will be deducted from their final grade.

All grades will be made numerically. The MCC grading system works as follows

A=93-100
A-=90-92
B+=87-89
B=83-86
B-=80-82
C+=77-79

The numerical grade is only a working standard. The registrar's office only records letter grades. So, a person with a 93 will get the exact same grade as a person with a 98.

I only give straight A's to students who have gone way beyond the rest of the group and have clearly demonstrated the ability to produce consistently outstanding work.

A- is the grade for work that is somewhat outstanding. B+ is for work that goes beyond the basics of making a photograph and shows some merit. B signifies that you have successfully completed the assignment. B- indicates that the photograph has some deficiencies. C+ is given to photographs that demonstrate a limited grasp of what are the elements that make up a good photograph. Grades below C+ are given for various degrees of deficiency or more often as a penalty for handing in any given photograph after the deadline.

Method of Evaluation

Your grade for each print is made up of 3 parts

25% Technical camera use

25% Technical printing ability

50% Content

This is a measure of your ability to observe animals, people or spaces and then turn this into a photograph that is more than a simple visual record of what you saw. You will be judged on (1) choice of distance from subject, (2) choice of camera angle, (3) choice of lighting. In all of these situations I expect bold experimentation resulting in surprising and original visual images.

Decide on each of these very carefully. Look at the required websites and see how professional photographers use distance, angle and lighting.

A technically flawless photograph that is no more visually literate than an everyday photograph is a creatively worthless photograph.

Assignments submitted that ignore content issues will be given a maximum grade of 50.

One print is due at the beginning of each class beginning the fifth class. Prints passed in at the end of class will be graded as one day late. Prints must be at least 8"x10".

The Darkroom

The darkroom is Room 110 in Henderson Hall (Building 3) on the Bedford campus. In addition to class time, there are open darkroom sessions. The days and hours will be posted on the darkroom door. A darkroom monitor will be there at all times to assist you. Darkroom work will be limited to black and white processing only.

Supplies

The required materials are 4 rolls of Ilford HP5 Plus Film and 25 sheets of 8"x10" Ilford Multigrade IV RC Deluxe Paper and 10 sheets of 11"x14" Ilford Multigrade IV RC Deluxe Paper.

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CAUTION!!! Photographic paper can only be opened under a safelight. Opening it in room light will destroy the paper immediately. The destruction is not visible until run thru darkroom chemicals.Do not open your paper without my supervision.

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You will also need to buy a 00 or 000 Red Sable brush and Marshall Spot All B&W Print Retouching Dye, 1/2 oz. Bottle of Neutral Black, Replacement for Spotone #3.

A good store to buy photography supplies is Zeff Photo Supply (617 489 3311) - Belmont, MA. An excellent nearby store is Cameraland at 98 Main St. in Nashua, NH (603 883 7911). Image Inn at 1167 Massachusetts Ave. (the cross street is Forest St.) (781 646 7158) - Arlington, MA offers black & white film processing and printing. A good place to have broken cameras fixed is down the street from Image Inn at Sanford Camera Repair at 1056 Massachusetts Ave. (781 648 2505) - Arlington, MA

Handle processed film with great care. It fades with too much exposure to direct sunlight and scratches very easily. Negatives should be stored in archival quality plastic storage sheets, such as those produced by Print File. I use Print File pages #35-7BXW. Since we will only be shooting 4 rolls of film, please feel free to purchase this with several classmates to lower the overall cost of supplies.

Do not leave cameras, lenses, film or paper in your car on hot days. All of these things are easily damaged by exposure to heat over 80ºF.

Schedule

You will be expected to do at least 3 hours of work outside of class between each class. Outside work will include taking pictures, making prints and looking at websites.

January 27

#1 Photography as Art

We will discuss what makes photography art as well as choosing a camera.

Great art keeps surprising the world.

Thru experimentation each of you will learn to see photographically by observing that which has been missed by the casual observer. For instance everyone photographs kids but not quite like Emmet Gowin

Emmet Gowin

Photographs can simply be about love. Look at how lovingly Harry Callahan has photographed his wife

Harry Callahan

If you are more interested in photographing places think about where you stand. Michael Kenna is very talented at choosing the alternatives to standing directly in front of the subject.

Michael Kenna

If you are more of an indoor person you might want to arrange objects as Olivia Parker has so successfully done

Olivia Parker

Visually explore don't just record.

Homework: Create a series of photographs of any outdoor subject shot during the first two or last two hours of sunlight. Shoot on a sunny day if possible. Buy a Print File page. Negatives should be stored in archival quality plastic storage sheets, such as those produced by Print File. You will need a plastic storage sheet to take your negatives home.

February 3

#2 Developing black and white film

Students will demonstrate the ability to develop film paying careful attention to agitation, time and temperature.

We will not be printing during this class

Homework: For the next class bring the negatives developed today, printing paper (Ilford Multigrade IV RC Deluxe Paper - 8"x10" sheets - 2 packs of 25) and your camera. Please bring printing paper and your camera to all of the remaining classes.

#3 February 17
Contact Printing

Students will demonstrate the ability to make a contact print of the negatives that were developed in the previous class.

Homework: Shoot first half of a second roll of film.

#4 February 24
Work Prints

Students will demonstrate the ability to make a work print. Work prints serve as a basic outline for final prints.

Homework: Shoot remainder of the second roll of film. Process film. Make into contact sheet. Bring contact sheet and negatives to next class. First print is due next class.

#5 March 3
Printing Filters

Students will demonstrate the ability to use printing filters to control the contrast of the print.

Homework: Second print is due next class. Bring red sable brush to the next class.

#6 March 10
Spotting

Students will demonstrate the ability to spot out white spots due to dust on prints

Homework: Third print is due next class.

School Vacation - No class March 17

#7 March 24
Burning

Students will demonstrate the ability to burn areas of a print to selectively darken parts of the print.

Homework: Fourth print is due next class.

#8 March 31
Dodging

Students will demonstrate the ability to dodge areas of a print to selectively darken parts of the print.

Homework: Fifth print is due next class.

#9 April 7
Shutter Speed
Variable Focus Printing

Students will demonstrate the ability to fully control shutter speeds on their cameras.

Homework: Sixth print is due next class.

#10 April 14

Aperture
Solarization

Students will demonstrate the ability to solarize a print.

Homework: Shoot first half of a third roll of film. Seventh print is due next class.

#11 April 21
Wide Angle Lenses

Students will demonstrate the ability to make a negative print.

Homework: Shoot remainder of the third roll of film. Process film. Make into contact sheet. Bring contact sheet and negatives to next class. Eighth print is due next class.

#12 April 28

Long lenses

Students will demonstrate the ability to make a print sandwiching two negatives together in one negative carrier.

Homework: Shoot first half of a fourth roll of film. Ninth print is due next class.

#13 May 5
Adding Light

Students will demonstrate the ability to add light to an indoor shooting situation by adding light from a window, by using reflectors or by using electronic flash.

Homework: Shoot remainder of the fourth roll of film. Process film. Make into contact sheet. Bring contact sheet and negatives to next class. Tenth print is due next class.

#14 May 12
Camera Filters

Students will demonstrate the ability to use filters to alter contrast while taking pictures.

Paul Light
paul@lightwavephoto.com
http://www.lightwavephoto.com/art141sp_w.html
All text by Paul Light is copyrighted 1987-2010 Paul Light
All rights reserved on text by Paul Light
Last revised January 25, 2010